Grogu was nearly a no-go.
He may be one of the most popular characters in the Star Wars universe — but he very nearly wasn't in it.
Lucasfilm President Kathleen Kennedy has revealed Baby Yoda — AKA Grogu AKA The Child — was almost vetoed by "The Mandalorian" Executive Producer Dave Filoni.
Describing the beginnings of the mega-hit Disney+ flagship series to Vanity Fair, Kennedy recalled how she feared a "turf war" between the encyclopedic Filoni and the equally Star Wars obsessed Jon Favreau when it turned out they were both working on very similar projects.
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View Story"I knew that Jon Favreau was always deeply interested in Star Wars. He was the first person I went to," Kennedy recalled. "He said, 'Not only would I have an interest, I have an idea.'"
Favreau's idea was a lone gunslinger story, focused on the Mandalorian warrior race; he began working on the show before he even had a contract.
"I just started writing," he told the publication. "So by the time I was officially hired, I had already written the first, I think, four episodes."
The problem was Filoni, the Lucasfilm legend behind many of the Star Wars animated shows, was also working on a Mandalorian project. Kennedy said that while the two were friendly with each other, she feared a turf war... so: "I arranged a playdate."
"They got along instantly, like gangbusters," Kennedy claimed, as they combined their ideas into a possible single project... but there was one sticking point: Favreau's idea for The Child.
"It gave us some pause," Kennedy said. "He and Dave debated that quite ferociously."
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View StoryFiloni explained his reservation was trying to keep the mystery around Yoda's species intact.
"Honestly, it's something I never would've done because Yoda is Yoda," he said.
"I think people now look back and think it was like a slam dunk, but we were very cautious," he added. "The amount of measuring, especially in the first season, for how we were framing this kid took a lot of effort."
According to Favreau, they went through a lot of different looks before they finally found one that clicked — a full-color concept image by artist Chris Alzmann, the now-ubiquitous image emblazoned on countless pieces of Mando merchandise.
"That's him. This one," Favreau said. "He had kind of a goofy, ugly look. We didn't want him too cute."
According to the executive producers, there was never an alternate creature suggestion.